Jesus Christ Superstar

Is it really nearly fifty years since the inception of Andrew Lloyd Webber and Tim Rice’s JCSS? Quite controversial back then but today with Sevenoaks Players’ impressive production it shows no signs of ageing.

Performed on a set dominated by blocks and scaffolding, lighting played an important role and Sam Gilham’s design was impressive and effective, creating a Passion for the modern age. John Pead as Musical Director made what must have been difficult music for both orchestra and singers to master, seem effortless, although that bass guitar resonated so loudly at times that words were lost.

JCSS is without doubt one of the best rock operas ever written, sung through with no dialogue it must rely heavily on performers who can deliver strong vocals and powerful performances. In the role of Jesus was Alex Dunmore. He was simply outstanding, effortless stage presence with a voice that was powerful and his falsetto, perfect for the role. His chemistry with Mary Magdalene, portrayed by Claire Tilley, was intense, as was her rendition of ‘I don’t know how to love him’ – beautifully sung. An incredibly dramatic and again, powerful vocals, came from Don Dunmore portraying a troubled Judas. A special mention must go to Anthony Eglinton as Pilate, an extremely competent performer, who commanded the stage whenever he appeared. A much needed and light-hearted comic relief was provided by David Waller as Herod, accompanied by a group of sublime backing dancers. All the other named parts made their moments on stage unforgettable.

Providing solid support, the hard-working ensemble of apostles, priests, soldiers, lepers and the impeccable children. They all helped propel the story to its inevitable ending and Clare Brown’s choreography underlined the drama and emotion, complementing Keith Neville’s sensitive directing particularly with the crucifixion scene which was incredibly moving. 

JCSS was undoubtedly a huge undertaking by Sevenoaks Players but, as was seen by the appreciative audience, this was a very emotive production of a high-energy rock opera.  

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