Jack and the Beanstalk

St Giles with St Mary’s Pantomime / Theatre Society delivered a lively and polished production of Jack and the Beanstalk, capturing the magic of Alan P Frayn’s script while fully embracing the humour, spectacle and heart that audiences expect from a traditional pantomime. The décor within the Town Hall played a significant role in setting the scene and enhancing the atmosphere. Notably, the striking archway with the Giant’s feet looming overhead, combined with ivy trailing up the staircase, immediately immersed the audience in the fairytale world and added a sense of scale and theatrical flair to the production.

At the centre of the story was Jack, played with warmth and strong stage presence by Katy Chadwick, whose performance anchored the show from start to finish. Chadwick brought the first act to a thrilling close with a rousing rendition of Defying Gravity, performed alongside fellow principals and the ensemble, earning well-deserved applause and setting a high bar for Act Two.

Comedy flowed freely thanks to Vinny Empsall’s larger-than-life Dame Dotty Dimple, whose quick wit, flamboyant costumes and easy rapport with the audience made the dame a constant highlight. Mischief was provided in abundance by the comedy duo Snatchet and Scarper, played by Seth Empsall and William McBlain Ellis, whose chaotic energy and perfectly timed antics kept scenes bubbling with humour. Seth Empsall, in particular, brought a high-energy performance that marked him out as a performer with huge potential for the future.

On the darker side of the fairy tale, Piccalilli, revealed as the Witch, was brought to life by Jo Sykes, who delivered a performance full of malice and darker humour. Sykes looked resplendent in a glamorous costume and revelled in every moment of villainy, providing a striking contrast to the light and sparkle of Fairy Sugardust, played with warmth and gentleness by Katie Appleton.

Further trouble was stirred by Rancid the Ratman, the Giant’s henchman, played with sly menace by Rod Walker, who notably coerced Simple Simon into selling Buttercup the Cow for a seemingly harmless bag of beans, setting Jack’s adventure firmly in motion.

The royal court was well supported by Brenda Smith as King Crumble and Sally Empsall as Queen Apricot, while Chloe Knox’s Princess Charlotte impressed both in character and vocally. Knox shared a particularly touching duet, As Long As You’re Mine, with Jack, showcasing strong vocals and adding emotional depth to the story.

High above the clouds, Buster Gut-Bucket, the Giant, was an imposing presence, played physically by Clinton Frimpong and vocally by David Hookham, whose booming voice added real menace and theatrical impact.

A guaranteed crowd favourite was Buttercup the Cow, portrayed with charm and personality by Daisy, supported brilliantly by her helpers Rachel Perry and Sarah Godridge, bringing laughter and delight—particularly for younger audience members.

Sophia-Mae Ward, as Humphrey, the royal equerry, delivered her lines with clarity and confidence, ensuring the supporting role was both effective and engaging.

The principal cast was strongly supported by the adult chorus, junior dancers and sunbeams, whose enthusiasm and commitment were evident throughout. It was particularly delightful to see such a vibrant youth section, ensuring longevity for the society and actively promoting a love of theatre craft among the next generation.

Musically, the production shone, with well-chosen songs offering something for all ages in the audience. Ensemble numbers were energetic and well staged, contributing to a colourful and joyful atmosphere from start to finish.

Congratulations must go to the dedicated production team for delivering such a cohesive and entertaining show: Producer/Director Jo Sykes, Musical Director Marley Watson, and the Choreography Team of Katie Appleton, Katy Chadwick, Rachel Perry, Mel Pizzey and Emily Wood, whose combined efforts resulted in a confident and engaging pantomime.

Overall, Jack and the Beanstalk was a joyful celebration of community theatre, balancing tradition with strong performances, visual imagination and musical flair. St Giles with St Mary’s Pantomime / Theatre Society can be immensely proud of a production that entertained audiences while nurturing talent both on and off the stage.

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