HOT MIKADO

The opening chorus of “Gentlemen of Japan” was  strong. This group (which included one gentlewoman)  worked very hard throughout the show and, although not all natural dancers, moved effectively. The large chorus of ladies then added huge life, colour and rhythm and all the ensemble singing was excellent.

After a shakey vocal start Peter Olphert settled into the role of Nanki Poo. As Yum Yum, Louise McClarty was great fun and sang “The Sun and I” beautifully. Her fellow ‘little maids’ Pitti Sing (Laura Fisher) and Peep Bo (Amy Rankin) also sang well. Harry Stinson played Pooh Bah with customary gravitas while Rory Sheehan was an unassuming Pish Tush. Harry Coates took the title role with authority and humour.

 Alan McClarty’s  facial expressions and body language were masterful as Ko Ko.
 His rendition of “Tit Willow”, accompanied by some clever projected animation, was the best I have seen. Helen’s big jazzy voice made “Alone and yet Alive” very special.

I liked the raised walkway in front of  ‘fusuma’ windows and Japanese portals of Kerry’s set . Sound levels were good and Lighting well managed and atmospheric. The Costume Room, Dublin provided some delightfully eccentric costumes for the ladies, and mens’ costumes were mostly from PMS’ own wardrobe in 1940s style.

Richard Campbell controlled his 7 piece orchestra and his singers with precision; Ditanya’s choreography was clear, concise and appropriate. Kerry directed a lively, funny and colourful show – in fact one of which I think Gilbert and Sullivan would have approved.

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