Hansel & Gretel

Hansel & Gretel

Hornsea Amateur Theatre Society

 

Director Olivia Brookes, Producer Ian Thompson. Choreographers Nikki Woolsey & Caroline Newman

16th January 2026

Hornsea Amateur Theatre Society delivered another joyful and crowd-pleasing pantomime with Hansel and Gretel, written by Jemma Porte and performed at the Floral Hall. Bursting with colour, laughter, and toe-tapping musical numbers, the production captured everything audiences hope for from a traditional pantomime while adding plenty of fresh energy and charm.

Directed with confidence and clarity by Olivia Brookes, the show moved at a lively pace and balanced humour, heart, and spectacle beautifully. The storytelling was clear and engaging, making it ideal for younger audience members, while clever jokes and character-driven comedy ensured adults were just as entertained.

Producer Ian Thompson oversaw a slick and well-organised production, with smooth transitions and a strong sense of cohesion throughout. The Floral Hall provided an intimate setting that allowed the audience to fully connect with the performers, enhancing the interactive spirit that pantomime thrives on.

The choreography by Nikki Woolsey and Caroline Newman was a standout feature. From full-cast numbers to character-led routines, the dances were energetic, well-rehearsed, and perfectly suited to the style of the show. Ensemble numbers in particular sparkled, filling the stage with enthusiasm and movement.

One of the most endearing aspects of the production was the cast’s professionalism and camaraderie when things didn’t go entirely to plan. True to the spirit of live theatre, there were moments where things went awry, but the cast clubbed together brilliantly, turning potential mishaps into comic gold. Quick-thinking ad libs and perfectly placed extra jokes not only kept the show moving but had the audience in stitches, adding an extra layer of warmth and spontaneity that only live pantomime can deliver.

The cast delivered strong performances across the board. Sarah Hyde shone as Fairy Flora, combining warmth, humour, and a touch of pathos, particularly in No One Loves a Fairy When She’s Old. Beth Peart was gloriously villainous as Witch Bramble, commanding the stage with confidence, supported wonderfully by Alex Jane Tanton as the mischievous assistant Thorn.

As Dame Lolly Pop, Ian Thompson brought classic panto comedy, big laughs, and excellent audience rapport. However, a particular standout was Tim Drage as Simon Lolly Pop, the show’s Buttons-style character. His performance struck an excellent balance between scripted comedy and spontaneous interaction, with effortless engagement both with the cast and the audience. His quick wit, impeccable timing, and natural ability to read the room resulted in some of the biggest laughs of the night. Whether reacting to on-stage mishaps, bouncing off the Dame, or drawing the audience into the action, Drage anchored the comedy brilliantly and played a key role in maintaining the show’s rhythm and energy throughout.

The heroic heart of the show came from Natalie Clydesdale as Arthur Lolly Pop and Charlotte Royce as Sally, whose duet I Would Never Fall in Love Again Unless It’s You was a genuine highlight, showcasing both strong vocals and warm chemistry.

The younger cast members were equally impressive. Hallam Goodall and Jemima Goodall were a delightful Hansel and Gretel, showing confidence, clear characterisation, and strong stage presence. Laura Embleton gave a warm and caring performance as Jane the Woodcutter, particularly touching in Count on Me, while Rosie Thompson made the most of her role as the Mayor, adding personality and humour despite the smaller part.

The musical numbers were varied and well chosen, keeping the energy high throughout. From the opening I Just Came to Say Hello to the uplifting finale Reach, the score offered something for everyone. Highlights included Saved by the Bell, Dance Till I’m Dead for the witches, I’m Never Going to Not Dance Again, Sapphire, and the ever-fun My Boy Lolly Pop, all of which showcased the strength of the chorus and the ensemble as a whole.

Overall, Hansel and Gretel was a vibrant, funny, and heart-warming pantomime that demonstrated the talent, commitment, and community spirit of Hornsea Amateur Theatre Society. With strong performances, polished choreography, and plenty of audience laughter and applause, it was a festive triumph and a credit to everyone involved both on and off the stage.

 

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