Hansel and Gretel

This year, Grange Youth Panto brought the classic tale of Hansel and Gretel to life in their annual production. 

True to tradition, the show featured a cast entirely aged 18 and under, and once again, the young performers delivered an impressive and lively performance. Even the dame, Peggy Pumpernickel (Oliver Pearson)—a hallmark of any great pantomime—was characterised with humour and flair.

Alice Payne, as Nightshade deserves special mention for her commitment to the role. She brought just the right amount of menace to the character whilst staying true to the playful spirit of the pantomime.

Though there were a few shaky moments with lines early in Act One, the cast quickly found their rhythm and delivered a solid performance. A reason for this could have been that while the enthusiasm and energy of the cast were evident, the shows writing was a little challenging - even for someone who knows the pantomime.

The first half left me unsure of our place in the Hansel and Gretel story. Fortunately, the narrative picked up pace in the second act, resolving much of the earlier confusion. Despite the structural hiccups in the script, the cast’s spirited efforts kept the audience engaged.

The production was well cast, with standout performances from the principals and ensemble alike. 

The staging was simple yet effective, with thoughtfully chosen backdrops and smooth transitions. Costumes were well designed and appropriate for the story, adding a polished touch to the overall presentation. 

Singing was another strong point with all numbers well-rehearsed and thematically fitting. The performers sang with clarity, confidence, and a great sense of fun. 

Choreography, though straightforward, was well-suited to the scenes and showcased the ensemble's energy.

There were moments where the staging could have benefitted from more dynamic blocking. Some scenes felt a bit static with characters evenly spaced across the stage. Incorporating more creative groupings and tableaux could add visual interest and variety for the audience. 

Similarly, strengthening the relationships between characters would enhance emotional engagement, an example of this was that the Witch’s performance was so compelling that I found myself rooting for her, this unintentionally lessened the impact of her eventual downfall.

As a directorial debut for Ann Heap this production was a commendable effort, and areas for any kind of improvement are more opportunities for growth than concerns. Ann was well supported in this endeavour by her choreographer, Kathryn Bromley. 

Overall, it was lively, well-received, and ran at a suitable length for the audience.

If I were to suggest one change, it would be to streamline the ending. The extended bows and speeches, while heartfelt, stretched the conclusion by about 20 minutes.

While everyone involved in the production deserves recognition, this could be reserved for a backstage celebration. Keeping the ending concise allows the audience—especially younger members—to leave on a high note without losing the momentum of the performances given. 

Congratulations to the cast and crew on a spirited and enjoyable show.

The energy and enthusiasm on stage were a joy to watch, and I look forward to seeing what Grange Youth Panto will bring us next year!

Thank you, Grange, for your invite and hospitality

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