Ghost Train

Sale NOMADs' recent performance of Ghost Train by Arnold Ridley was a blend of eerie storytelling and dramatic flair, elevated by a stunning set design that perfectly complemented the play's spooky atmosphere. The layout of the stage was both functional and visually striking, featuring many elements of interest and impressive paint effects that drew the audience into the ghostly world of the isolated Cornish station. Well done the team!

The decision to present the play with a more intense horror approach, rather than its usual comedic interpretation, was a bold one, but a successful choice here. Although the sincerity of the acting sometimes elicited more laughter, this was still a positive outcome. The lighting and sound design played pivotal roles in establishing tension, while the actors’ commitment to their characters lent much to the performance. Despite the script’s inherent humour, the laughter that erupted—often at unexpected moments—was a delightful reflection of the audience’s engagement, particularly during jump scares.

Jeff Harpin shone as the Cornish station master Saul Hodgkin, delivering his grim tales with a captivating charisma that held the audience’s attention. Adam Garnett portrayed the confident and efficient businessman Richard Winthrop with skill, while Bella Parsons, a newcomer to this stage, with her portrayal of the haughty Elsie Winthrop, offered a distinct and engaging character arc.

The newlyweds Charles and Peggy Murdoch were played by Lorna Shakespeare-Smyth as Peggy who was suitably sweet and embodied the era delightfully and Alex Hall who delivered a performance that was pleasing but could have benefited from more nuanced delivery and perhaps a more solid grasp on lines would help this in the future. Jan Taylor's dramatic Miss Bourne was a fun and commanding presence, while Roberto Lavorini brought a wonderful disposition to his role as Teddie Deakin, showcasing excellent character choices and an unwavering commitment to role. Alex Clarke convincingly embodied the no-nonsense Dr. Sterling, and Jenny McDonald effectively portrayed the unstable Julia Price, adding layers to the unfolding drama.

A special mention goes to Josh Bambrick, a former youth member, who made a charming appearance as the local PC Jackson, complete with an authentic Cornish accent.

Overall, the direction was strong, allowing the piece to flow seamlessly while utilising angles that enhanced both the action and the eerie atmosphere. There were moments—particularly in the monologues and Julia’s introspective sections—that could have benefitted from more shape, focus and emphasis, but going by the audience reaction this may be a solo opinion. The content and relationship complexities were handled superbly. Well done Ade Godding on this delightful directorial debut at NOMADs.  

As the performance drew to a close under a full moon, the audience left the clubhouse enchanted by a wonderfully intimate, ghostly tale. Sale NOMADs delivered an engaging evening that struck a balance between horror and humour, making it a perfect October treat.

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