Fame The Musical JR

Author: Andy Milthorpe

Information

Date
6th September 2025
Society
Bowden Theatre Works
Venue
New Mills Art Theatre
Type of Production
Musical
Director
Sarah Day-Smith
Musical Director
Mhairi Jennings
Choreographer
Maisie Wild
Producer
Natalie Bowden and Stewart Bowden

Fame JR is a musical that follows a group of students at New York’s High School of Performing Arts as they navigate the highs and lows of adolescence, ambition, and artistic growth. The show explores themes of identity, perseverance, and the pursuit of dreams, all set against the backdrop of a demanding arts education.

The staging for this production was thoughtfully arranged, with raised platforms used throughout the performance space to create visual interest and give performers varied levels to work with. This helped to break up the stage picture and offered some dynamic moments during ensemble scenes.

Vocally, there were some solid performances within the musical numbers. For example, certain group numbers carried good energy and pitch control, though occasionally the balance between backing tracks and live vocals was off. At times, the backing tracks were too loud, which made it difficult to hear some of the soloists and dialogue clearly. This unfortunately detracted from the impact of a few key scenes.

Lighting was generally effective, but there were noticeable issues with visibility. Some characters, particularly the teachers positioned toward the back of the stage, were not lit well during their vocal moments. These were missed opportunities that could have added more depth to their roles and helped the audience connect with their contributions. The choreography was lively and well-rehearsed, but the stage did feel overcrowded at times. There were moments where performers bumped into each other, suggesting some spatial awareness issues. While this didn’t derail the performance, it did occasionally pull focus from the storytelling. Microphone issues were also present throughout the show. Inconsistent sound levels and technical glitches made it difficult to hear certain performers, which was a shame given the effort and energy they brought to their roles.

Despite these technical challenges, several performers stood out. Pippa Banford, who played Serena Katz, gave a consistently strong performance. Her stage presence was confident, and her vocals were clear and expressive, an absolute delight to hear. Well done, Pippa. Seren Jones brought great characterisation to Carmen Diaz. Her vocals were emotionally charged and she captured the character’s fiery ambition with conviction. Jake Hornsey, as Tyrone Jackson, showcased impressive dance ability. His physicality and movement across the stage were fluid and engaging, and he brought a strong sense of rhythm to his scenes. Sophie Bradford, playing Iris Kelly, demonstrated poise and grace in her role. Her dance sequences were well executed and she maintained a strong connection with her scene partners. Toby Gleave, as Scholmo, gave a grounded and sincere performance. His portrayal added warmth and humour to the ensemble, and his musical contributions were well received.

Overall, the cast delivered a committed performance. While there were some technical and staging issues that impacted the clarity and cohesion of the production, the energy and enthusiasm of the performers helped carry the show. With a bit more polish, this production could have reached greater heights, but as it stands, it was a respectable effort that showcased the talents of a promising young cast.

Thank you for your kind invitation and I look forward to seeing you all again soon. 

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