Evita

Evita, the musical, focuses on the life of actress Eva Perón, who rose to political prominence after her marriage to Argentine President Juan Perón. The story chronicles her early life, ascent to power, charitable work, and eventual death. Andrew Lloyd Webber and Tim Rice's creation of the character "Che" serves as both narrator and a representative of the working class, offering critique and insight into Eva’s character.

From the moment patrons arrive, they are warmly welcomed. The tiered seating ensures a great view of the stage for everyone, and the program is well-designed, featuring easy-to-read text and intriguing details about the society, encouraging further engagement and new memberships. The program also prominently includes the new NODA branding.  The set design is thoughtfully constructed, with multiple levels and spaces, enhanced by effective lighting and minimal props that successfully evoke the various scenes. Lighting is particularly strong, with excellent use of downlights and follow spots, while the sound balance between the singers and orchestra is flawless.  The costumes are authentic to the period, with Eva’s wardrobe reflecting her rise to prominence. The chorus is appropriately dressed throughout, though Che’s braces were a nice touch, the trousers could have been slightly higher-waisted to be more period-accurate.  The eight-piece band delivers a rich, authentic sound that spans genres, from classical orchestral to rhythmic Latin and even a bit of rock. The balance with the cast is exceptional.

The show opens dramatically with the Requiem sung by the crowd with great emotion. The introduction of Che, the narrator and voice of the working class, is performed by Tim Beasley with both presence and style. His role is crucial to the narrative’s flow. Eva is introduced through her interaction with Magaldi (Patrick Coad), a tango singer, who performs “On This Night of a Thousand Stars” with enthusiasm and versatility. Eva hopes to be introduced to the world as an actress.  Steve Dorsett, in his first role with WAOS, portrays Juan Perón with musicality and conviction. Perón’s complicated personal life, including his several mistresses, is revealed over time. Becky Muggeridge’s rendition of “Another Suitcase In Another Hall” is marked by clear diction and emotional delivery.  Eva Perón is portrayed at different stages of her life by three actresses. Selina Lambert captures the innocence and simplicity of the Teenager, while Samantha Stott’s Actress is brash yet tinged with vulnerability. Jenny Jordan brings the role of First Lady to life with style and strong vocal delivery.  Throughout the performance, the chorus plays a vital role, both in singing and creating the right atmosphere, particularly during the opening and closing numbers, which are central to the show’s impact.

The directors, Natasha Bennett, Samantha Moylan-Heydt, and Richard Stockton, are to be commended for successfully bringing this challenging production to life, achieving the style and sincerity the show demands.

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