Dick Whittington
Information
- Date
- 22nd February 2025
- Society
- The Penpont Players
- Venue
- Altarnun Village Hall
- Type of Production
- Pantomime
- Director
- Alex Bailey
- Written By
- Alex Bailey and Ruth Simpson
It was lovely to be back in Altarnun to watch your production of Dick Whittington. The original folk story was
based on the real-life Richard Whittington who was four times mayor of London. Dick was a poor boy who
went to London to find the streets paved with gold, he found/bought a cat, started employment with
Alderman Fitzwarren, fell in love with his daughter Alice and was hoping to make his fortune. Your story had
the same principle but I deduced after reading Bodmin, Launceston and Altarnum on the signpost was
obviously set in Cornwall.
Your writers had clearly spent a good deal of time creating a script that continued the bones of the original
story with known characters but added their own bits of magic which took us off at different tangents but
ultimately ensured we had a happy ending. It was great to hear the obligatory ‘Dick’ comments during the
performance. As always you are well supported by your local audience and the hall was quickly filling up
with an enthusiastic crowd waiting to be entertained.
I understand from a member of your tech team that you had a problem with a projector which is an integral
part of your pantomime providing all the images on the back wall which depict your scenes. Luckily you were
able to find one to use for the production and I hope your fund raising soon covers the cost. The images and
effects used during the performance added validity to the story. We were transported from a spooky
graveyard, to a kitchen, the King’s Head, a moorland, a prison room, rocks and buildings, fight sequence and
the grand finale.
The curtained stage was set up at front of the hall with steps down to the hall and the piano was set at stage
right. It is ideal that you can use the central aisle in the hall to give you an extra playing area. The scenery
used added authenticity to the scenes, the signpost was clearly marked and the shelf unit in the kitchen with
its contents was great, I liked the inventive titles on the books. The smaller personal props were ideal and well
managed by the cast.
The radio mics that were used ensured the text could be heard although there did appear to be a few mic
problems with Queen Rat’s but this may have been because the costume interfered with it, maybe reposition
it next time.
The musical numbers chosen covered various genres and were either sung to a backing track, accompanied
on the piano or sung acapella. The stage lighting was great adding mood and meaning and there were
some great sound effects used during the show which added detail to the scenes.
The dance routines were ideal for the members of your cast and had been learnt and delivered with feeling.
The costumes had been chosen carefully to ensure they were ideal for the named characters and fitted well.
It was good to see that accessories, footwear, hair styles and make up had been taken into account.
The signpost was removed and we found ourselves in a stormy graveyard with bats flying around and
headstones with the epitaph’s ‘Rest in Pieces’ and ‘I Told you I was ill’ on. There was knocking on a door and a
disembodied voice explaining ‘Not the face’.
The first actor on the stage was the villain of the pantomime Queen Rat and she was out for revenge she
sang ‘I Dreamed a Dream’ with feeling. She was dressed in a hooded cape and half covered face which we
found out was covered in scars. She had a convincing evil laugh and showed a determination to avenge the
wrong doing which had happened to her.
Millie Stone and Bill Board – great names by the way – popped up during the performance usually explaining
the passage of time. The two young players knew their stage directions and spoke clearly with quite a dour
expression. The audience enjoyed their comment ‘We are only signs so don’t take any notice us.’
Smugglers Jack, Steve and Arty were three determined characters who entered from the back of the hall
decked out in breeches and checked shirts with their lanterns. We found that they had ingenious ways of
lighting their lanterns which were to be used to do a bit of wrecking. The two older wreckers’ reactions when
they fell after the drink was great and they moved and spoke well. The little one appeared to be in control
and worked with the Alderman, well played.
Cookie Macbook the Alderman’s cook spoke clearly although she did make use of the prompt but had the
audience in stiches when needing assistance. She wore some lovely detailed well-fitting costumes and
interacted convincingly with the other cast members and audience. She was constantly making new
creations in the kitchen and I did like her ‘PINGM’ meals. She was clearly in charge in her kitchen and berated
Idle Jack about his lack of motivation. The cooking sequence was well delivered with the inevitable pie in the
face.
Idle Jack was clearly portrayed as expected by his name, temperamental and not interested in getting out of
his own way. Jack continually demonstrated his incompetence and looked just right attired in dungarees
and a t-shirt. ‘He’ instantly showed his dislike of Dick and proved a good ally to Syd following the bewitching.
Your actor had excellent stage presence move well and sang with feeling.
Syd was definitely more focused than Jack and used all his persuasive skills to entice Jack into use different
methods to get what he wanted they worked well together. Syd created a strong persona, moved well and
spoke with a good clear voice.
The actor depicting Alice Fitzwarren was lovely. She created a well-spoken, kind, caring character who saw
the best in everyone and had no idea of Jack’s feelings for her or his reaction when she brought Dick into the
house. She showed her affection for her father, fear when tied up, shock at the deception from her father and
joy at reconnection with her mother. She looked the part and had a lovely singing voice, ‘A Dream is a Wish
Your Heart Makes’ was lovely.
The Alderman appeared on stage was well dressed and as far as anyone was concerned a wealthy caring
father of Alice and a pillar of the community. But appearances can be deceptive he had numerous debts
and was working with the wreckers to increase his income. He had also betrayed his Elizabeth his wife. He
created a well-rounded character who spoke clearly and moved with purpose.
Dick was on his way to find the streets the gold paved street of Truro. He looked the part with his arci typal
bundle over his shoulder. He saved Alice, was welcomed into her house and as expected had the money
taken by the rats but all was well at the end. Your player had a great stance, clear diction and moved well.
Your cat was beautifully dressed and great at disposing with rats. She created a believable relationship with
Dick and had some great lines which were delivered with feeling. The ‘Get Physical’ routine with all its corny
lines with Jack was excellent.
The rats scuttled around following their Queen’s orders They all made their characters a little different and
ensured all their text could be heard.
Smuggler Jack found himself upgraded and brought a gravitas to the role of Captain Morgan. The Radio DJ
and Boat Commentary was delivered with meaning by your player.
Many thanks for a wonderful evening’s entertainment and I would like to congratulate all your members both
on stage and behind the scenes on all their hard work.
Disclaimer
Any observation made by the reviewer can only be based on what he sees at the performance in
question. The reviewer may have received information in advance of the performance and it is inevitable
that his assessment will be affected by that knowledge.
The NODA Representative’s intention is to give an objective critique of the overall production and in
particular, the performance. It should be remembered that any review of this nature can only be objective
as far as the techniques used during the performance observed. Any criticisms expressed may not have
been valid at other performances and are only made to encourage higher standards in Amateur Theatre.
It is hoped that the audience’s appreciation of your efforts will have given everyone a lift and encouraged
you to greater achievements in the future and that the observations made by the reviewer will prove helpful
in improving future productions.
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