Dick Whittington

Attending RODS’ production of Dick Whittington was a thoroughly enjoyable experience. This grassroots amateur dramatics group has once again delivered a show full of heart, laughter, and community spirit. It was evident that everyone on stage was having a fantastic time, which in turn radiated to the audience, creating an electric atmosphere throughout. The inclusive nature of the society is something RODS truly excels at, and it’s no surprise that they continue to be loved by their loyal audiences.

Director Dave Smith did a commendable job of keeping the show well-paced, ensuring it maintained its energy from start to finish. The clever use of minimal sets and props showcased ingenuity and creativity, transporting the audience to different scenes with ease. This simplicity allowed the performances to shine, and shine they did.

Mike Robertson’s portrayal of the Royal Rat was a masterclass in pantomime villainy. His exaggerated characterisation and commanding presence were perfect for the role, making him both detestable and entertaining – everything you want in a pantomime baddie.

Charlotte Alice Spicer was a standout as Tommy the Cat, delivering a brilliantly convincing performance, complete with expertly executed meows that drew laughs and admiration in equal measure. Equally delightful was Karen Barton as Fairy Bowbells, whose warmth and charm lit up the stage every time she appeared. She embodied the ideal pantomime fairy, adding sparkle to the production.

Dave Smith pulled double duty as both director and Alderman/Captain Fitzwarren, a challenging feat to undertake. While some tongue-twisters tripped him up, his ability to lean into the pantomime tradition of breaking the fourth wall turned potential flubs into comedic moments that only enhanced the experience.

Zoë Tebbutt brought a likeable energy to Idle Jack, while Gemma Elsey was a sweet and endearing Alice Fitzwarren, impressing with her pleasant vocals. Fran Heaver exuded regal poise as the Empress of Morocco, and Trevor Bavin took a bold approach to Sarah the Cook. His characterisation leaned more towards Dame Edna Everage than the traditional pantomime dame, but it added a unique flair to the production, which the audience seemed to appreciate.

Beverley Syrett was a charming Dick Whittington, with her standout moment being the opening of Act 2, where her vocals truly shone. This number showcased her talent beautifully.

One of the greatest joys of watching RODS is seeing the ensemble fully embrace every style of choreography and musical number, ensuring every cast member has their moment to shine. This inclusivity is what makes their productions so special.

The live band and backing vocals were a fantastic addition, providing a rich and well-balanced sound. The inclusion of more modern songs was a refreshing choice, even if the lyrics didn’t always align perfectly with the scenes. Sarah the Cook’s rendition of “Bang Bang” was a little risqué, but the audience lapped it up, proving that RODS knows how to entertain.

Overall, Dick Whittington was a heartwarming and entertaining show, leaving the audience smiling and eager for the next production. RODS have once again proved why they are such a treasured part of the local community.

Natalie Hills

 

© NODA CIO. All rights reserved.