Dancing at Lughnasa
Information
- Date
- 28th June 2017
- Society
- Poulton Drama
- Venue
- The Grand Theatre Blackpool-Studio
- Type of Production
- Play
- Director
- AnthonyHenry
This evening was a first visit to The Studio at The Grand, Blackpool and also the first time I had seen this play. I was intrigued by both.
The story, by the award winning dramatist, Brian Friel, is set in Ireland, in the 1930s where “five unforgettable women try to eke out an existence where no tears are without laughter and no laughter is without tears. Each woman is filled with passionate longing and yet they deal with it in their own different ways except when they are all equally possessed by the spirit of the dance, welling up from the buried ancient powers of their native land”.
The Studio was the perfect setting for this particular piece. The intimacy of the venue ensured that the audience could feel that they were inside the cottage of the Mundy Family. The incidental music created a lovely atmosphere as we arrived and there was a very good mixture of relevant Irish music, used throughout the evening.
We were instantly involved in the hopes and dreams of the family.
Chris Bill, as Michael, The Narrator was the continuous thread that held the piece together. His delivery and projection, were excellent at all times and he brought out the poignancy of the unfolding events past, present and future. A good Irish accent with excellent diction.
Stephanie Heney was outstanding as Kate the strong Catholic matriarch who was pulled in all directions by the lives and loves of her family and Sue Wilkinson as Maggie gave a spirited and lovable performance, showing great comic timing and energy.
Grace Bennett gave an empathetic portrayal of Chris as she was torn between her relationship with her son and his father. I particularly enjoyed her performance and I look forward to seeing her in future productions.
There was an occasional lack of projection tonight, no doubt because of the close proximity of the audience, some cast members would be hesitant, as they feared they would be too loud.
Costumes and props were well researched and resourced and these added to the authenticity of the production.
Lighting and sound effects were just what were required enhancing the very palpable atmosphere.
Congratulations to Director, Anthony Henry who has clearly enjoyed working with this poignant story and the talented actors at his disposal. Anthony and cast have brought out all the nuances of each strongly defined character.
I was thrilled by the play, actors and the venue. I look forward to my next visit. Thank you for your warm welcome to my wife and myself.
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