Carmen

The popular opera of Carmen is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous, Escamillo, after which José kills her in a jealous rage. Its gorgeous melodies have secured the opera’s hold on the popular imagination, with a good story and stirring music.  Bizet's popular score is a mix of such well-known delights as Escamillo's Torreador's Song and Carmen's Habanera and with lesser known gems thrown into the mix there really is something for everyone. .

I was delighted that the group had decided on a traditional production for this much-loved opera, so we were whisked to Sunny Spain with swishing skirts and Seville Oranges, and (heaven forbid) outside a cigarette factory.

The scenery was not over-cluttered and was just right for the stage – whilst creating a ‘Spanish feel’.
Costumes looked the part, the uniforms looked smart and appropriate, and the ladies dresses, particularly towards the end, were exactly what was called for.  I was somewhat surprised to see so many ‘fair-haired’ ladies in Spain! 

Performed in a delightfully intimate theatre which I had never visited before, and which I suspect is essentially a Play House meant that there was no pit so the orchestra were sited far stage left with the majority of the orchestra, including the conductor ‘out of sight’ in the wings. Although in the main they were not seen, they were most certainly heard and many, many congratulations on the orchestra who were simply superb – we just knew from the very first notes of the orchestra that we were in for a real treat, and so it proved to be.

I was told that the conductor was projected onto the back wall but I believe some of the chorus (sorry to say, but particularly the men) either could not see or were not watching as I noticed some timing issues – particularly noticeable in Act 1.  However, having the conductor projected onto the back wall, whilst it may have some draw-backs, it also has some very real benefits in that the cast have to look up to see so heads are kept up and facial expression are able to be seen.

I did find the production just a little static – and at times the cast appeared to be waiting for the music to start or something to happen – but that is a very small point in the overall production.

I must congratulate every single member of the cast on their diction, both spoken and sung, which was excellent throughout so that we were able to hear every word and therefore those unfamiliar with the story were able to fully understand. 

All in all a most enjoyable evening, with wonderful music and good singing, acting and facial expressions to enhance it.  Very many thanks for making me so welcome and for a delightful evening.

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