Calendar Girls - The Musical

Having seen the original film version at the cinema nearly 20 years ago, I always remember “Calendar Girls” as a somewhat underwhelming comedy. However, the recent musical production by the Exeter Little Theatre Company utterly changed my perception of this true story.  This show was energetic, compelling, moving, funny and generated a full spectrum of emotions which took me totally by surprise. I cried and laughed in equal measure and completely ran out of tissues!

So what made the difference? Well, firstly, 20 years on, I am now a woman of a certain age and can more readily relate to many of the themes and issues explored.   However, it was so much more than that: primarily because music and songs were skilfully woven into this very funny script, complementing and highlighting the humanity and complexity of emotions brought forth by life’s events such as illness and death of a loved one. Acknowledgement must be given to Simon Carter, the musical director who stepped in after Joanna Walling was taken ill on Thursday night. There was absolutely no evidence of disruption, a testimony to the professionalism of the whole team.

In addition, skilful direction, excellent casting and a vibrant ensemble team spirit allowed everyone on stage to shine. Characterisation was warm and genuine, complete with down-to-earth Yorkshire humour and convincing accents.  The many moments of hilarious comic timing were counter-balanced by heart-felt songs and stylised movement. There was sensitive and authentic portrayal of relationships and clear navigation of the many relatable themes of loss, grief, friendship, ageing, marriage and parenting. Significantly, what also made this production stand out was its resounding celebration of women of all ages – not only thematically through its narrative journey through fear and self-doubt to ultimate achievement of goals but also the opportunity given to the female actors to showcase their musical theatre talents. The inevitable photoshoot, placed at the end of the story was tasteful and celebratory in style - totally in keeping with the sentiment of the whole show.   

The professional set provided a lovely backdrop which presented a real essence of the Yorkshire countryside and cast were involved in briskly moving the hinged flats and furniture on castors to enable seamless scene transitions and pace.  Lighting was slick, enhancing the emotional temperature of each scene.  

Highlights were many including the hilarity of listening to the teenagers discussing their annoying and embarrassing mothers.  Cora’s sassy rendition of “Who Wants A Silent Night?” encapsulated the collective energy amongst the Knapely W.I. ladies and Ruth singing “My Russian Friend and I”, her kooky façade temporarily dropped, was truly touching. Special mention should also be made of the BSL Signer, Jan Guest, who stood stage left throughout the entire performance: her signing was so beautifully delivered.

I wholeheartedly congratulate the Exeter Little Theatre Company on producing such a truly uplifting, memorable and life-affirming show.

Signed: Sharon Wayland

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