Calamity Jane

This popular musical was an adaptation of the 1953 Warner Brother’s film starring Doris Day and Howard Keel. It is based on the historical character of the same name but tells a purely fictional tale of her relationship with Wild Bill Hickok.

I was interested to read in the programme that Spellbound productions are largely created in a week’s summer school workshop, following auditions in February and a few weekly music rehearsals. There was a huge cast of around 75 young people from 8 to 16 years old and the production team had obviously worked extremely hard to create the set and costumes and to make sure the large cast were ready to perform in such a short time period.

The set was very impressive with a bar, doors and working balconies on each side and a small stage at the back complete with shell footlights. Costumes too were well made and attractive with some lovely dresses for the dancers and a great selection of cowboy costumes and props. Lighting and sound were also very professional and the sound effects used of gunshots and horses etc were timed to perfection! The production team and parent/ carer helpers pulled off a minor miracle in such a short space of time to make sure the young cast could give their best and they did not disappoint.

Calamity Jane was given an appropriately feisty and energetic portrayal with some cracking singing and a convincing American accent.  Although she rushed her dialogue a little at first, she soon settled down and delivered a first-rate performance. She had fabulous characterisation and demonstrated a clear understanding of the role’s requirements throughout.

It was hard to believe that Bill Hickok was played by an actor 16 years old at most, as he gave a very mature performance with all the confidence and swagger essential for the part. He had great physicality as he assessed Calamity with amusement and sang his solo ‘Higher than a Hawk’ beautifully.

Katie Brown too had a lovely singing voice and performed well in her numbers, with good stage presence and confident acting.  I especially liked ‘Keep it under your hat’ with her well-rehearsed dancing girls.

Lieutenant Danny Gilmartin was suitably dashing and played with an easy charm, performing a lovely rendition of ‘Love You Dearly’ with Katie.

Other principals were equally impressive.  Francis Fryer, the mistakenly booked performer, gave a fun and entertaining performance whilst Henry Miller, the saloon operator and Susan Miller, his daughter, were both strongly acted.  Adelaide Adams sang ‘Tis Harry I’m planning to Marry’ with the ease and confidence of a star and with a voice to match.  One of the most memorable characterisations was Doc Pierce, a joy to watch in all his scenes.

The choral numbers were well rehearsed and beautifully sung, especially ‘The Black Hills of Dakota’ and ‘Windy City’. Starting Black Hills with a guitarist was a lovely idea and I liked the way the large ensemble was bought on gradually from all corners of the theatre, which worked well visually and musically as the songs progressed.

Overall, this was a really well directed and choreographed production which the young cast performed with huge energy, skill and commitment.  They were obviously enjoying their moment to shine and took full advantage of the opportunities. The cast were moved around continually so everyone got a chance at the front and giving the audience varied and interesting stage pictures to enjoy as the production progressed.  All in all, the production team and cast should feel very proud of their achievements in providing a fabulous evening of entertainment.  

© NODA CIO. All rights reserved.