Blue Remembered Hills

Although this is a play about a group of children - their bickerings, arguments, fights, fears and, despite everything, their camaraderie - it would not work if it were youngsters playing the roles. It has to be adults. Adults have lived through all the stages of childhood, have experienced the whole range of childhood emotions and are therefore, being seasoned actors, in the best position to present them to an audience. Each of the seven on stage came across as a distinct individual.

Paul Stevens - Peter, self-appointed leader of the pack - was a loud, easily riled boy.

With his massive voice, Paul was not only credible but he also came across as someone you wouldn`t `mess with`

Kevin Wilson - John - was a nicer version of Peter. He could have been the leader, less dogmatic, although able to stand up against his rival when necessary. A well-observed portrayal

Peter Harris - Willie - was every girl`s delight. Funny, energetic and really likeable. Nimble Pete was made for this role, literally bouncing his way through the play and despite his energy, he seemed, at times, to have an almost calming effect both on his sparring chums and audience alike

Grant Farley - the stuttering Raymond - could have been out of place amongst so many positive characters. Yet somehow, Grant played his role in such a way as not to be eclipsed by those around him.

Alexander Howe as Donald, in a part far removed from that of last year`s `Sheerluck Holmes`, gave a touching performance as the boy who wanted so desperately to be one of the gang and who, at the play`s climax, is unintentionally burnt to death. A real tour de force by Alex, who looked pale, wan and dejected throughout, never once having the satisfaction of being accepted by those around him, the result of which made his demise all the more unbearable. An excellently observed characterisation.

Carolyn Ferguson in a blue dress and an unlikely blond wig, played Angela, the girly girl. She was just right for this role, being very feminine and therefore naturally able to deliver her lines with an air of authenticity

Lorna Wilson - tomboy Audrey, one of the lads - came across as a brash, pushy girl, ready to fight the boys if crossed and was thus, a complete contrast to the nervous Angela. Audrey, like so many who flaunt their apparent toughness, quailed along with the rest of the gang at the prospect of a knife wielding `Itie` in the vicinity, thus proving that her male toughness was all a façade. Lorna captured the essence of Audrey to perfection and left one almost relieved that she eventually crumbled in the face of adversity.

Directed by Gwen Stevens with costumes by Liz Santer, this well observed play, which must have revived hidden memories of childhood tauntings of weaker, vulnerable children, will surely be amongst CAODS greater achievements. Enjoyable, thought-provoking and believable.

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