Anything Goes

Set aboard the ocean liner SS American, "Anything Goes" tells the story of intertwining love lives and comedic misadventures as the ship sails from New York to London. The central plot revolves around Billy Crocker, a young Wall Street broker, who stows away on the ship to pursue his love interest, debutante Hope Harcourt. Hope, however, is engaged to the wealthy British aristocrat, Lord Evelyn Oakleigh.

Billy is aided by his friend and nightclub singer, Reno Sweeney, and the notorious gangster, Moonface Martin, who is disguised as a clergyman. The ensuing chaos and hilarity involve mistaken identities, romantic entanglements, and plenty of singing and dancing, all culminating in a joyous and unexpected resolution.

"Anything Goes" is a timeless musical comedy that has captivated audiences since its debut in 1934. With infectious melodies, witty lyrics, and lively dance numbers. "Anything Goes" is a staple in the repertoire of musical theatre enthusiasts around the world and the show West End Operatic Society chose for its 75th Anniversary performance.

Held in the fitting Grade I listed building that is the Tyne Theatre Opera House, I was initially greeted by the lovely Derek Coleman and Ruth Barber who welcomed me so warmly to WEOS upon my first official NODA visit. Together in the grand circle, we and the rest of the audience were shown to our seats, not by a theatre usher but by a cabin steward in full uniform. During the overture, some lovely pre-show story telling was taking place around the theatre in the opera boxes and on the floor in front of the stage. This really transported the audience to waving the ship off on its voyage and submersed us into the journey that was about to take place and the number “Bon Voyage” was one of my favourite numbers for reason. Set almost identically to the Barbican Theatre Production in 2021 the staging was of a professional level and was a perfect accompaniment to the production.

The role of Reno Sweeney was played by Lucy Sutton whose dynamic stage presence perfectly captured confident and sassy nature. Her performance of “Blow, Gabriel, Blow” was a show-stopping highlight with Lucy’s final note leaving the audience in awe. In the duet “You’re the Top,” Lucy commanded the stage with great vocals and dynamic choreography. I also cannot go without mentioning the great imagery that was Lucy hanging in the air on an anchor in the middle of the stage. Wonderful performance Lucy, Congratulations.

Alex Eastern played the role of the lovestruck stockbroker Billy Crocker, who he portrayed with an endearing mix of charm, whit, and determination. “All Through the Night” with Alex’s stunning vocals and a performance infused with a tender sincerity was a highlight of the show. His chemistry with Hope Harcourt in “Its De-Lovely” was palpable, with a kiss at the end of the number that was like a moment from a movie. Alex’s versatility was also demonstrated throughout the show with his numerous dance numbers and comedic moments with Reno and Moonface Martin. 7 weeks of rehearsals and delivering that performance is a testament to Alex’s talent and commitment. Excellent Job Alex.

Hope Harcourt, the beautiful debutante caught between duty and desire, was portrayed with grace and subtlety by the talented Hannah Ellis Brown. “Easy to Love” showcased Hannah’s emotional depth and "All Through the Night" with Billy was a tender moment that showcased this actor's gorgeous vocal and dancing abilities. Hope's journey from a passive participant in her own life to a decisive individual was convincingly portrayed by this gifted performer. Beautiful once again Hannah – Congratulations.

Stu Liddle as Moonface Martin gave a very strong performance. The actor's exaggerated expressions and physical humour were a big hit with the audience, making every scene with Moonface a comedic delight. The performance of "Be Like the Bluebird" was particularly memorable, demonstrating the actor's ability to balance humour with musicality. This could only however be topped by the number “Friendship” which was a triumph for both Reno and Moonface. A dynamic performance from two actors who excelled in that number. Congratulations Stu you were wonderful.

Sarah McKinnell played Moonface Martin's ditzy yet lovable sidekick Erma whose infectious energy, charm and comedic timing were impeccable. Sarah laced every moment on stage with unparalleled zest and spark and handed us a masterclass in performance and movement in the number "Buddie, Beware". Erma's flirtatious interactions with the sailors and Moonface added a sense of mischief and fun to the show making her a memorable part of the ensemble. An incredibly talented performer – well done Sarah.

Lord Evelyn Oakleigh, Hope's bumbling British fiancé, was portrayed with a perfect blend of awkwardness and conviction by Andrew Fearon. Evelyn's lack of finesse was played out superbly and the number "The Gypsy in Me" was a comedic highlight, showcasing the actor's ability to embrace and gild the character's many quirks. Andrew’s portrayal played more to the comical aspect of this character’s traits than the caring affectionate traits that are what attracts Reno to him. I wonder what Andrew’s affectionate and tender ‘Evelyn Oakleigh’ would have looked like as, but this in no way detracted from Andrew’s performance, demonstrating great characterisation and definite stage presence. Congratulations Andrew.

The supporting characters and ensemble cast play a crucial role in bringing the world of "Anything Goes" to life and the show is dependent on the strength and support of the entire cast. Sarah Cowell as Mrs Evangeline Harcourt and her love interest Elijah Whitney played by Brian Jordon, Chastity, Charity, Virtue and Purity played by Francesca Patterson, Andrew Scott-Bell, Alexandra Davison and Grace Thornton, Henry T Dobson played by Kevin Rhodes, Spit and Dippy played by Daisy Bamford and Katie Nells, and the Captain and the Pursuer played by David Rawlings and Euan Bell all added charmingly to the blend of this cast, each bringing another dynamic personality to the story.

From the ship's crew to the various passengers, each member of the ensemble added to the vibrancy and energy of the production with their performances and vocal harmonies. The collective effort of the supporting characters, ensemble, and adorable puppy, contributed significantly to the overall success of the performance.

The dance numbers were choregraphed wonderfully by the greatly renowned Sandra Laidler and Carl Luke, were executed with the precision and flair required of this show. The show’s title number “Anything Goes” had the whole stage at one point tap dancing. I have seen versions of this show where Reno and say five to six other dancers would take on the challenge of this song, but WEOS delivered in bulk!

I must also mention the orchestra that accompanied the cast aboard the SS American as to me they were perfect. Wonderful work from all the players and their conductor Andrew Soulsby.

In conclusion, WEOS 75th year Anniversary performance of "Anything Goes" was a triumph, with each actor delivering a compelling and memorable portrayal of their character. The combination of strong performances, dynamic choreography, and an engaging storyline made for an evening of pure entertainment. This production of "Anything Goes" is a testament to the enduring appeal of classic musical theatre and the talent of West End Operatic Society.

Congratulations Sandra, Carl, Andrew, and all involved.

 

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