Anything Goes

The very best of amateur musical theatre entertainment is alive and kicking in Clitheroe. The evidence of this was contained in this gloriously outrageously effervescent production. What delights Cole Porter offers us in this inconsequential bit of nonsense set aboard a plush American cruise liner. Mistaken identity, intrigue, dastardly deeds are all elements of this show which sets out to thoroughly entertain by way of catchy songs and jaw droppingly good choreography. When one encounters shows as proficient as this time stands still. I lapped up every moment as did the enthralled members of the audience.

Central to the plot is Reno Sweeney. Sue Chadwick was brilliant, giving the kind of performance many other leading players can only dream of. I have never seen her play a better role. Magnificently confident Sue held the stage with swagger and high kicks. “I Get A Kick Out Of You” is a song that is so well crafted that it can be interpreted and treated in many different ways. Gary Shearston’s memorable version which hit number 4 in the charts contrasted with Frank Sinatra’s much loved rendition proves this point. Rarely however do we get to hear the intense emotion of the verse. Sue delivered it with controlled passion at the side of the stage accentuating the inner feelings she was experiencing as a character before launching into the much loved chorus. Different to Shearston and Sinatra I shall now recollect this as the “Chadwick Version' different yet equally impressive in its own unique way. Sue really is the top.  

Supporting her in this exemplary cast were David Hulme as Billy Crocker and Damian Marsh living it up as Moonface Martin. This duo were made for each other. Their facial expressions were invigorating especially in the stage left prison scene managing to wring every drop of humour Porter had given them to exploit. Laura Mitchell as Hope Harcourt lived up to her reputation as a leading lady of impressive credentials. Sir Evelyn Oakleigh is a fantastically stupid creation. Kris Wlodarczyk, making his debut for the company, drew murmurs of delight every time he was required to do something else daft. I am sure the original American audiences howled with laughter at  this irreverent portrait of minor British aristocracy. Sam Smith shone as Bonnie with Paul Hayes and Lesley Haworth completing the team of eccentric grotesques. All are worthy of special mentions. Talking of which I really must take my hat off to the trio of angels, Natalie Coe, Ella Constandides and Katie Cowburn-Green. “Heaven Hop” was the most exhilarating piece of choreography I have seen in my four years as a rep. The superbly talented Lindsay Taylor must have been well pleased with her dancers. I offer you, Lindsay, my most sincere congratulations.With a wonderful chorus and sumptuous costumes and a magnificent band under the accomplished award-winning baton of Chris Andrews this was a show beyond any hint of criticism. What more can I say?

David Hulme I do not know how you manage to perform and direct as well. That you did so with such aplomb stands as testimony to your vision. 

“Anything Goes” is the last musical I will review as a rep. Thank you all for giving me such a wonderful send off. 

P.R.M.

 

 

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