A Night at the Musicals

It was a pleasure to receive an invitation to review Bethel Crowd’s most recent production: ‘A Night at the Movies,’ a concert of collective musical’s that have made it to the silver screen. Playing to a packed auditorium, full of memorable songs, with plenty of pizazz, Bethel Crowd gave the audience an evening to remember. I particularly liked the selection of songs, most of them instantly recognisable. This was a society that knew their audience and had catered for all age groups when compiling their song choice. It was particularly lovely to see the diversity of ages performing, with both youths and adults taking centre stage in turn. Songs from the same show/movie were in groups, with many ensemble numbers that were vibrant and varied.

Helena Carter, Director/Choreographer and Assistant Director/Choreographer, Mairead Coburn, created a slick production, which eased from one musical number to the next. As each group of songs finished, a short blackout occurred. These were smooth, allowing just the right amount of time for the cast to reposition or exit. I did like the colour scheme used throughout the performances, red and black, with pink for the younger performers during Act 1, coming back full force for Act 2 with red, black, and white sparkling outfits. I particularly enjoyed Helena’s choreography for ‘Both Reached for the Gun’ (Chicago) the ensemble moving together looked great. This was a fun, energetic sequence, each member on stage dancing like puppets on strings then ‘freezing’ in position, with an impressive lack of fidgeting from the younger members present. Such performances can only happen with arduous work and dedication. Helena, and her team of choreographers created some great routines that catered for all abilities of dancer. Routines looked sharp without being too complex, more importantly, everyone was smiling throughout. The set was simple, but effective. A blank stage with a small rise to the rear, with a black sparkling backdrop, the space allowed the cast freedom of movement. Sound and lighting by Ash Foster, Chloe Spencer and Phil Macivor was great. Soundtracks lined up perfectly, the onstage sound had no feedback or dropouts. The lighting was impressive, constantly changing for the performances, with blue, pink, and red gels to mention just a few. Spotlights were tight, following individuals without problem. Smoke machines used through certain performances, were light and wispy, complimenting the performance on stage.

Act 1 began with a medley from Little Shop of Horrors, with ‘Downtown’ as the opening number. This was a great song to begin the show, Jason, Helena, and Garry sang the solos clearly with great projection. The harmonies built as the whole cast joined in, looking animated, and coordinated. I particularly liked the following ‘Annie’ medley, displaying the younger talent within the society. Martha, Verity and Lilly, sang a lovely version of ‘Maybe.’ These three singers had confidence and the ‘aww’ factor that melted the audience hearts. When joined by the rest of the young ensemble, it looked and sounded wonderful. Garry, Jemma, and Caitlin performed ‘Easy Street.’ The choreography (by Garry Foley) was comical and well timed, Garry pushing the ‘orphans’ off the stage was jolly funny. The harmonies were close and sounded great. Jason and Ella were both strong in ‘I Don’t Need Anything but You.’ Ella had confidence and stage presence, giving an impressive performance. Caitlin began the next selection of songs with a memorable performance of ‘Secret Love’ from Calamity Jane. Her long notes sounded lovely and clear. ’As Long as He Needs Me’ performed by Hazel during the choice from Oliver, was emotive. Hazel had a fabulous range and put real feeling into her performance. With a medley from The Wizard of Oz, leading into the final selection of songs from Les Misérables, act 1 ended, but not before Verity sang a hauntingly beautiful version of ‘Castle on a Cloud,’ and the whole company performed a strong, stirring ‘One Day More.’

Act 2 opened with Cinderella & Rockefella, lead by Mairead with the full company. This was a bright, energetic, fun opening number. The audience laughed aloud as Anthony and Alfie performed ‘So in Love with Me,’ both actors animated, with great timing and hilarious costumes. Well done. For me personally, the standout performance of the evening came from Caitlin as she presented her song from Waitress, ‘Used to be Mine.’ A notoriously difficult song that requires strong vocal control, Caitlin was note perfect, a fantastic performance. The inclusion of the youngest members in The King and I section was a lovely touch, ‘Getting to Know You’ gave them a chance to shine once more as they backed Helena during this number. ’Shall We Dance’ lead by Thomas and Mairead was lovely to watch, three couples waltzed round the stage in synchronicity, this number was guest choreographed by Matthew Kellie. Clarke gave a crowd-pleasing performance of ‘Bad Guys’ from Bugsy Malone, whilst more medleys followed from Chicago, All Shook Up, Dirty Dancing and finally Matilda. There was a wide array of talent on the stage. I wish I could mention every person and their performance, but with a cast of 32 it becomes impossible. If I did not mention you, please do not take offence, you were all noticed and very much appreciated.

Bethel Crowd produced a fabulous concert, with music to suit all tastes. The standing ovation given at the end of the show was testament to all their hard work. I would like to thank everyone at Bethel Crowd for making me and my guest feel so welcome and wish them every success for their society in up-and-coming productions.

Dawn-Marie Woodcock

District 3

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